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Art historians are, therefore, able to use fashion with confidence and precision to date images, often to within five years, particularly in the case of images from the 15th century. Initially, changes in fashion led to a fragmentation across the upper classes of Europe of what had previously been a very similar style of dressing and the subsequent development of distinctive national styles. These national styles remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, mostly originating from Ancien Régime France. The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com. Subhash K. Jha of the Indo-Asian News Service rated the film 3 out of 5, calling it "a truly outstanding film". Jha also wrote that the sequences between Chopra and Ranaut as the highlights of the film.

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Chopra said she studied method acting to make her character seem real. The actress said that her character is determined and added, "While her father wants her to become an accountant she aspires to become the leading model in fashion industry". Addressing rumours that the film was an exposé of the fashion industry, she said, "It is nothing like that. Whatever problems that come up to my character in the film are not because of the profession but because of the choices that my character makes in her life". Arjan Bajwa described his character, an aspiring fashion model, as uncompromising, achieving success in his own way. Samir Soni found his role as a closeted fashion designer very challenging, requiring research to flesh out the character and his personality. Soni's greatest challenge was to avoid a stereotypical homosexual character, instead subtly expressing his sexuality in his personality and relationships with the film's other characters.

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With systemic and structural change, the fashion industry can lift millions of people out of poverty and provide them with decent and dignified livelihoods. It can bring people together and be a great source of joy, creativity and expression for individuals and communities. Bhandarkar, who is known for studying his subject matter to make his films as realistic as possible, researched the fashion industry for nearly eight months, attending fashion events and shows. Several media publications reported that the film was inspired by the lives of fashion models such as Shivani Kapur, Geetanjali Nagpal, Kate Moss and Alicia Raut; however, Bhandarkar stated that the story is fictional and does not resemble anyone's life. The media also reported that the film revolved around two homosexual fashion designers; Bhandarkar denied these rumours, saying the film did not revolve around male characters but had female protagonists.

In textile-producing areas the growing of cotton and the production of naturally colored thread became obsolete. Traditional motifs on textiles are no longer considered the property of a certain social class or age-group. Wives of government officials are promoting the use of traditional textiles in the form of western garments such as skirts, vests and blouses. This trend is also being followed by the general populace, and whoever can afford to hire a tailor is doing so to stitch traditional ikat textiles into western clothes. Thus traditional textiles are now fashion goods and are no longer confined to the black, white and brown colour-palette, but come in an array of colours.